The New Zealander wrote her fourth album over 18 months, collecting fragments in New York, Los Angeles, Sydney, Stockholm, a garage in Maida Vale and an 18th century barn conversion on the island of Gotland in the Baltic Sea.
Fraser ultimately landed on the doorstep of co-producer David Kosten (Bat For Lashes, Everything Everything). The duo crafted this album in Kosten’s West London studio through the early months of 2014, venturing to the cavernous Abbey Road to record Brutal Romantic’s epic orchestral moments.
A sharper-tongued, more sonically adventurous record than its predecessors, Brutal Romantic is stronger, bolder, more steady-eyed in its demeanor. “I was doing a lot of thinking, a lot of experimenting, with how I sounded and what I wanted to say. I was looking for the contrast to what I’d released previously”.
The result is a complete work of ten new tracks. Work that might be considered less polite than previous. The defiant Psychosocial was released to fans ahead of the first single Kings and Queens. A candid Fraser is unapologetic, “I kind of enjoyed the irony of people hearing that track first via social media, given it is about voyeurism and my take on modern society’s faux connectivity.”
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